CLAUDIA PARDUCCI

LA based artist Claudia Parducci’s work spans a multi-disciplinary practice that includes drawing, painting, and sculpture. Since receiving her MFA from CalArts in 2006 Parducci’s work has been shown in Los Angeles, nationally and internationally, exhibiting most recently at Galerie Thomas Zander in Cologne, Germany and Ochi Projects in Los Angeles, California.

Parducci’s work comes out of an interest in histories of destruction and reconstruction. While her earlier work focused on the impact of human conflict and natural disasters, her most recent work shifts toward the nature of the cycle itself–the idea that we are always somewhere in the process of building and tearing down. She explores survival strategies, including the labour and fantasy that go into re-imagining a future after destruction. Beginning with the line as a foundation, Parducci develops her sculptures out of the line drawings. Labor intensive methods such as hand-knitting and dying, highlight time, labor and craft, particularly those associated with the feminine, and hint at the possibility of a society designed by women.

Featured Works

CV

CLAUDIA PARDUCCI

Lives and works in Los Angeles, CA

EDUCATION

2006

MFA, California Institute of the Arts, Santa Clarita, CA

2003

BFA, California Institute of the Arts, Santa Clarita, CA

SOLO & TWO PERSON EXHIBITIONS

2019

23 Columns, OCHI, Los Angeles, CA
Friction Hitch, Galerie Thomas Zander, Cologne, Germany

2017

Undone, with Lisa Bowman & Molly Corey, Blue Studios, Los Angeles, CA

2016

The Space Between Us, OCHI, Los Angeles, CA

2015

Claudia Parducci + Melinda Gibson, Sloan Projects, Santa Monica, CA

2013

Interiors, Nye+Brown, Culver City, CA (catalog)

2010

Emergency, Keep On Fridge, Garboushian Gallery, Beverly Hills, CA

2009

12 Gauge: Paintings From the Survival Project, Torrance Art Museum, Torrance, CA

2006

Claudia Parducci, Mint Gallery, CalArts, Valencia, CA

2005

Trace, L-Shape Gallery, Valencia, CA

2004

Pleasure Grounds, D301 Gallery, Valencia, CA

2002

Luxe, Peter Blake Gallery, Laguna Beach, CA

2001

American Girl, OCHI, Sun Valley, ID

GROUP EXHIBITIONS

2023

Connective Threads, curated by Jo Lauria and Carrie Burckle, Palos Verdes Art Center, Palos Verdes, CA

2022

Of Rope and Chain Her Bones are Made, Bakersfield Museum of Art, Bakersfield, CA
Generations—Abstract Los Angeles: Four Generations, curated by Alain Rogier, Laddie John Dill, & Katie Brand, Library & Art Center, Kirk, Glendale, CA
Landscape Through the Eyes of Abstraction, California Museum of Art Thousand Oaks, Thousand Oaks, CA
Disassembly Line, presented by Molly Barnes & Spy Projects, Beverly Hills, CA

2021

What We Know, curated by Cindy Lisica, Boxheart Gallery, Pittsburgh, PA
Of Rope and Chain Her Bones Are Made, Craig Krull Gallery, Santa Monica, CA

2020

Mythopoeia in Three Acts, OCHI, Sun Valley, ID
Semblance Sunshine, Torrance Art Museum, Torrance, CA

2018

Soft Pretzel, Vacation Gallery, New York, NY
Specter of Documentation, D&R, Los Angeles, CA
Between Two Seas/ S California Meets S Italy, curated by Luigia Martelloni & Alberto Vanetti, Arena 1 Gallery, Los Angeles, CA
Between Two Seas/ S California Meets S Italy, curated by Luigia Martelloni & Alberto Vanetti, MAAAC Museo Archeologica Arte Contemporanea, Cisternino, Italy

2017

Tankah, curated by Claudia Huiza, McNish Gallery at Oxnard College, Oxnard, CA
Undone: Like an Adolescent or a Fragment of a Building or a Book Without a Home, Blue Studio, Los Angeles, CA
Black Mirror, curated by Julia Swartz, Charlie James Gallery, Los Angeles, CA
LA Confidential, Estudio Las Nieves, Bogota, Colombia

2016

Un-Structure: Claudia Parducci, Connie Walsh, Brian Wills, OCHI, Los Angeles, CA

2015

6H to 8B, curated by Sydney Croskery, Curator’s Lab at FOCA, Los Angeles, CA
Patience, Process, Practice, Keller Art Gallery at Loyola Marymount University, Los Angeles, CA
Up To and Including the Horizon, OCHI, Los Angeles, CA
Communards, Espace des Arts Sans Frontieres, Paris, France
From The Barricades, Freies Museum, Berlin, Germany
Angels With Dirty Faces, Hilger Contemporary, Vienna, Austria
Service & Other Stories, Angels Gate Cultural Center, San Pedro, CA

2014

An American Water Margin, University City Art Museum of Guangzhou Academy of Fine Arts, Guangzhou, China
MAS Attack 6, Torrance Art Museum, Torrance, CA
Prep School, curated by Lisa Schmidt & Max Presneill, Torrance Art Museum, Torrance, CA

2012

Narratives of the Perverse III, Jancar Gallery, Los Angeles, CA
Ed’s Party, William Turner Gallery, Santa Monica, CA
The Gang’s All Here, Central Utah Art Center, Main Ephraim, Utah

2011

Domestic Disturbance, Nye+Brown, Culver City, CA
Costra Nostra, curated Grant Vetter & Max Presneill, Rheeway Gallery, Los Angeles, CA
The Lords and the New Creatures, Nye+Brown, Culver City, CA
Re:Present, curated by Max Presneill & Luis Hernandez, LA Mart Gallery, Los Angeles, CA
TelArtPhone, curated by Mat Gleason, Beacon Arts, Inglewood, CA
What's New, Pussycat?, Torrance Art Museum, Torrance, CA
Durden + Ray Year One, RAID & Commonspace Galleries, Los Angeles, CA

2010

Love Always, Galleries Lara Tokyo and Eitoeiko, Tokyo, Japan
Swell, Metro Pictures, Nyehaus, and Friedrich Petzel Gallery, New York, NY
Eros/Thanatos, Torrance Art Museum, Torrance, CA
FAX, curated by Joao Ribas, Torrance Art Museum, Torrance, CA
Unabashed, Unclad, Unframed, OCHI, Sun Valley, ID

2009

Here and Now, ARTRA Curatorial, Los Angeles, CA

2008

The Beast In Me, Bowman/Bloom Gallery, New York, NY
Conventions and Attitudes, Habeus Gallery at the City University New York, NY and Remy, Los Angeles, CA
LAAGAFBLA08, Phantom Galleries, Los Angeles, CA

2007

Big Bang and Other Origins, David Salow Gallery, Los Angeles, CA
The Juice is Loose, Gallery 507, Venice, CA

2006

Supersonic 06, Barnsdall Art Park, Hollywood, CA
Collisions and Pileups, Armory Center, Pasadena, CA

2004

Group Sexy, Cartelle Gallery, Los Angeles, CA

2003

Black Velvet Kruise, Museum of Contemporary Art, Tijuana, Mexico

COLLABORATIONS

2011

Durden and Ray: 2nd Friday: Video Shorts, Mark Moore Gallery, Culver City, CA

2007

LA Art Girls: Boys 4 Girls, LA Outfest, Pacific Design Center, Los Angeles, CA

PUBLICATIONS

2013

Interiors: Faris McReynolds and Claudia Parducci, Nye+Brown, Culver City, CA

2001

American Girl: Claudia Parducci, OCHI, Sun Valley, ID

CURATORIAL PROJECTS

2022

Echoes of Perception: Peter Alexander and California Impressionism, Langson Institute & Museum of California Art, University of California Irvine, Irvine, CA

2012

Fellow Travelers, LA Mart, Los Angeles, CA

Panels & Symposiums

2022

Of Rope and Chain Her Bones are Made, Bakersfield Museum of Art, Bakersfield, CA
ARTiculated, Bakersfield Museum of Art, Bakersfield, CA

2019

Feminisms, Motherhood, and the Counterculture, Pitzer College Broad Performance Space, Claremont, CA
Artist Lecture, OCHI, Los Angeles, CA

2017

Artist Lecture & knitting instruction, Azusa Pacific University, Azusa, CA

2014

Prep School, Panel Discussion, Torrance Art Museum, Los Angeles, CA

2012

Artist Lecture, Santa Monica City College, Santa Monica, CA

SELECTED BIBLIOGRAPHY

2022

Mandelkern, India. “Disassembly Line," Artillery Magazine, Jan. 4

2021

Frank, Peter. “of rope and chain her bones are made at Craig Krull," Whitehot Magazine, Jun.
Barrie, Lita. “Meaning in the Handmaking: Nine LA Women Sculptors and Textile Artists at Craig Krull Gallery," Whitehot Magazine, May

2020

Dambrot, Shana Nys. “Artist Pick: Sense N’ React to the Drop at OCHI," LA Weekly, Jul. 23
Davis, Genie. “Semblance | Sunshine at Torrance Art Museum," Artillery Magazine, Aug. 5

2018

Cipriani, Carmelo. “Un Ponte Per Gli Artisti Tra Puglia E California," il Quotidiano di Puglia, Jul.

2017

Brewer, Gary. “Claudia Parducci: The Architectonics of Life and Loss," Art & Cake, May 6
Johnson, Jaqueline Bell. “Black Mirror at Charlie James Gallery," Art & Cake, Apr. 30
Zellen, Jody & Genie Davis. “Nancy Buchanan & Black Mirror," Visual Art Source, Apr.
Rosen, Miss. “Black Mirror Explores our Dystopian World," Crave Art, Apr. 17

2016

Davis, Genie. “OCHI: Abstract Works Redefining Form," Art & Cake, Dec.
“Art Stars: Eric Minh Swenson’s Art World Yearbook," Coagula, Iss. 113, May
Swenson, Eric Minh. “Claudia Parducci: The Space Between Us," Artillery Magazine, Mar. 1
Wood, Eve. “Claudia Parducci," Artillery Magazine, Feb. 23

2015

Wood, Eve. “Up to and Including the Horizon," Artillery Magazine, Jun. 19
Velazco, Molly Enholm. “Claudia Parducci + Melinda Gibson at Sloan Projects," Art Ltd., May
Wood, Eve. “Claudia Parducci and Melinda Gibson," Artillery Magazine, Mar. 12

2013

Wood, Eve. “Claudia Parducci and Melinda Gibson," Theresa Knopf Blog, Mar. 5

2011

Scarborough, James. “What’s New, Pussycat? Torrance Art Museum," What The Butler Saw, Mar. 7
Rosenberg, Jeremy. “Why 60 Inches," Torrance Art Museum, Feb. 9
Frank, Peter. “Review: Claudia Parducci at Garboushian Gallery," Artillery Magazine, Jan./Feb.
Calder, Diane. “Continuing and Recommended Exhibitions, January 2011," ArtScene, Jan.

2008

Fernandez, Veronica. “Fresh Paint," Art & Culture, Winter/Spring

2007

Skouras, Marjorie. “Back to the Fuchsia," Metropolitan Home Design 100, May

2004

Noriyuki, Duane. “A Feel for Velvet," Los Angeles Times, Mar. 4

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